As we saw in last month’s
Xinhua pictorial on the Xinjiang cotton harvest,
the party-state treats economic development and ethnic unity as part of the
same process in Xinjiang. Prominent Politburo Standing Committee members, Li
Changchun and Zhou Yongkang, told us this week that the “love the motherland,
create a better home” education/propaganda campaign is essential for development and unity in Xinjiang (see picture above). Chang Chunxian (party secretary for Xinjiang) then made a
lengthy speech at a symposium this week on this “education activity”,
explaining that the campaign is to “promote ‘leaps and bounds’ development (跨越式发展) and social order”. The Central Government similarly
celebrated two years of the campaign by congratulating its own work and the
partnership assistance development programmes (对口支援). These are said to have “given Xinjiang an historical
opportunity for ‘leaps and bounds’ development and social order” before ending
the announcement with repetition of ethnic unity slogans.
Despite the party-state’s utter rejection that development leads to democracy
this is their version of modernisation theory; development will somehow automatically
promote ethnic unity and social order along China’s ‘new frontier’. There is a
delicious irony here, given that a real historical-materialist would scoff at
the need for propaganda campaigns at the level of the materially determined
superstructure. More seriously, how leaders have been able to ignore that
regions such as Guangdong enjoy some of the highest rates of development and
popular protest in China is curious. Perhaps, this may be based on personal
politics and the ongoing need to exclude Bo Xilai and all ‘new left’ politics. However, this then raises the question of why socialist
poster campaigns are good for Xinjiang but for Chongqing this is said to be going
back to the days of the Cultural Revolution!
All of the above statements
coincided with the opening of an exhibition to commemorate the campaign
attended by political and military leaders.
Even if you can’t make it to Xinjiang, the authorities provided a web portal to
experience the “two historical missions” of the “shared struggle” for unity and
development yourself!
The picture of Hu Jintao surrounded by uncomfortable looking Uyghurs in
traditional dress providing him with fruit against a backdrop of urban development
just about sums up the party-state’s paternalist approach to Xinjiang politics.
Artists have been mobilised to support these occasions and show that Uyghurs really
do love the motherland.
The Karimay local government did a fine job of mobilising some young men to point at ethnic minorities in a
manner Kim Jung-Il would have been proud of.
Even children were mobilised in Kuytun, Ili last year to paint for the
motherland in a competition to see which little flower could prove their commitment to
Socialist modernity with the greatest vigour. If Mao Zedong was with us, he may
think that his ideals expressed in the ‘Yan’an talks on literature and art’ that art must only be used to serve the cause of socialist revolutionary struggle
had been fully realised.
Socialist symbolism in a
capitalist economy has become a source of mockery in other parts of China led
by artists such as Wang Guangyi.
It then seems absurd that socialist symbolism to promote nationalism and capitalism
is seen as a solution to development and social tensions in Xinjiang. In
practical terms, what does all this mean? Well on one level, nothing. Radio
Free Asia ran a story this week that homes in Aksu were being destroyed without consent or adequate compensation.
This certainly indicates that “creating a better home” is something that will
be done for the people and not by them. However, what the
campaign does indicate is that the party-state is well aware that it needs
popular support for its policies in Xinjiang. Otherwise these campaigns will
remain comical poster series which no one takes seriously. The obvious advice here
would be to get the development policies right first and then get people to
point at propaganda posters later.